232 MB | 640 x 360 | mp4 | 00:37:59
BrutalMaster – It – Gimped, Caged & Tit Clamped Agony (09.07.23)
It is not human
Imagine you are completely encased in wrapping with a custom-made leather hood covering your entire head. You are covered except for your bare feet standing on a rough wooden platform and your tits are hanging out. You are in BrutalMaster’s Studio but you can’t hear very well, or see at all, and even breathing is hard. But you know things are going to get much worse.
You are in a cage, you don’t know how long you will be in that cage, but you know that very soon the torture will begin.
Terrifying, don’t you think?
Yet that is exactly the position It found itself in recently in HELL! The cunt was covered and then her exposed pain-bags were bound, beaten, clamped, tortured, abused, you name it.
All the while the cunt grunted like an animal, which she is, of course.
This vicious session can only be described as our torture designed to break an object.
It is gimped, caged and Tit Tortured to Agony.
2.19 GB | 1920 x 1080 | mp4 | 00:16:24
Emily Addams – cow milker
Young Emily Addams is developing nicely! Her udders are bigger already, and they are soooo soft and milkable! She is still a little scared, being in the barn with all the big machines, but the farmer is planning to keep her, so she will have to get used to it. Don’t worry though, Emily also gets taken to the farmer’s home for more pet training and oral service training, so she is not in the barn all of the time. Today however, she will get one of the hardest sessions of all: nipple clamps in preparation for the cow milker, followed again by nipple clamps! It is a terrible ordeal, but it is necessary to grow Emily’s nipples so she can become a true HuCow.
1.05 GB | 1920 x 1080 | mp4 | 00:09:56
[ACZD-133] 身体改造牝奴● 肛門広子（仮名） / Body Remodeling Female Hiroko Anus (a Pseudonym)
SM, BDSM, Torture, Humiliation, Nasty, Anal, Solowork, Amateur, Urination, Evil, Submissive Woman, Sanwa Shuppan
Hiroko Anus is a woman whose body has been remodeled. She said,
“Hiroko’s master is a sadist who enjoys remodeling and reshaping a woman’s body. That’s why Hiroko had her body remodeled from the day she obeyed her master. First, labia and nipples. Piercing to.The labia piercing is always padlocked, and the key is owned by the master.With this, the labia itself became a chastity belt.I was also given a nose ring.It’s like a livestock. It’s miserable, but I remember the joy of being ruled as a possession was greater.I had my tongue split like a snake.To make my master’s penis feel good. The anal was also expanded by Gaba Gaba until I got the name “Anal Hiroko”.Hiroko is happy with all the acts given by the Lord, even if it is painful, and will continue to be like this for the rest of her life. I would like to serve you.”
He is a true masochist.
肛門広子さんは、その肉体を改造され続けている女性です。彼女は、
「広子の主様は、女の体を改造して造りかえることに悦びを感じるサディスト様です。そのため広子は主様に●従した日から肉体改造をされました。まずラビアと乳首へのピアッシング。ラビアピアスには常時、南京錠がかけられ、そのカギは主様が所有しています。これでラビア自体が貞操帯になったのです。鼻輪もして頂きました。家畜のようで惨めですが、所有物として支配されていると言う喜びの方が大きかった記憶があります。舌も蛇のように別れたスプリットタンにして頂きました。主様のペニスが気持ちよくなってもらうためです。アナルも『肛門広子』という名前が頂けるまでにガバガバに拡張して頂きました。広子は主様から与えられる行為の全てが、たとえ苦痛を伴うものであっても嬉しく、生涯このまま主様にお仕えさせて頂ければと思っています」
という真性のマゾヒストでです。
1.88 GB | 1920 x 1080 | mp4 | 01:04:15
RealTimeBondage – Cowgirl – Marathon 4 (05.11.23)
He thinks of the Insex set as an autopsy room, where bodies are laid out, sliced, and cracked open. He thinks of the show as vivisection, as a method of discovery, every ounce of female flesh – a book. And her hair falling down about her throat, her painted lips and eyes, the endless fabric of young skin, her limbs, fingers, hair, cunt – a library. He studies her. He tests her endurance during the first hour with metal, the next hour with wrap after wrap of rope, and for the third hour, rubber. He weighs her down, ties her body into knots, encases her, then relents. After he is finished with the first torments, he begins. She is determined to survive the removal of layers, the loss of skin, the dissection of her outer layers. This is how he searches for that which he can not help but desire. Her. The gentle slope of her shoulders when her arms are bound back. Her eyes moist, like she’s a lake, an ocean, spilling out, overflowing, influenced not by him, or any man on earth. She is under the influence of the moon. Her cunt goes wet with wanting, the expectation of ropes. Her breasts are wrapped, those insatiable nippled fruits, prepped for their ordeal. They grow livid as the seconds pass, as the pressure grows, as the weight of her body hangs, and her purpled breasts are wrung dry. He is machination, hooks and pulleys, chain and rope. He is scalpels and tongs. He is forceps groping, grasping folds of flesh, mounded flesh – Her. He sucks her fluids, her scent of sex and want. He drinks her. His fingers dive inside of her, manipulate breasts. He splits her in two from her waist to her chin and begins a rapid excoriation of muscle and bone. He seals her in wax, preserving her labia and clitoris, that flower which he picks for his own pleasure. He lies her body, thrown open like a coat, upon a lotus floating dreamily above the devil’s fiery lake. Her. Skin. Lips. Breasts. Scented cunt. The minutes pass. Hours blossom and die. By the time that he is finished, smeared with her rapture, riveted, exhausted, he stands back. We can’t decide. Which one of the two of them has been most undone?
2.46 GB | 1920 x 1080 | mp4 | 01:12:52
RealTimeBondage – Cowgirl – Marathon 3 (05.04.23)
He thinks of the Insex set as an autopsy room, where bodies are laid out, sliced, and cracked open. He thinks of the show as vivisection, as a method of discovery, every ounce of female flesh – a book. And her hair falling down about her throat, her painted lips and eyes, the endless fabric of young skin, her limbs, fingers, hair, cunt – a library. He studies her. He tests her endurance during the first hour with metal, the next hour with wrap after wrap of rope, and for the third hour, rubber. He weighs her down, ties her body into knots, encases her, then relents. After he is finished with the first torments, he begins. She is determined to survive the removal of layers, the loss of skin, the dissection of her outer layers. This is how he searches for that which he can not help but desire. Her. The gentle slope of her shoulders when her arms are bound back. Her eyes moist, like she’s a lake, an ocean, spilling out, overflowing, influenced not by him, or any man on earth. She is under the influence of the moon. Her cunt goes wet with wanting, the expectation of ropes. Her breasts are wrapped, those insatiable nippled fruits, prepped for their ordeal. They grow livid as the seconds pass, as the pressure grows, as the weight of her body hangs, and her purpled breasts are wrung dry. He is machination, hooks and pulleys, chain and rope. He is scalpels and tongs. He is forceps groping, grasping folds of flesh, mounded flesh – Her. He sucks her fluids, her scent of sex and want. He drinks her. His fingers dive inside of her, manipulate breasts. He splits her in two from her waist to her chin and begins a rapid excoriation of muscle and bone. He seals her in wax, preserving her labia and clitoris, that flower which he picks for his own pleasure. He lies her body, thrown open like a coat, upon a lotus floating dreamily above the devil’s fiery lake. Her. Skin. Lips. Breasts. Scented cunt. The minutes pass. Hours blossom and die. By the time that he is finished, smeared with her rapture, riveted, exhausted, he stands back. We can’t decide. Which one of the two of them has been most undone?
814 MB | 1920 x 1080 | mp4 | 00:54:36
RealTimeBondage – Cowgirl – Marathon 2 (04.27.23)
He thinks of the Insex set as an autopsy room, where bodies are laid out, sliced, and cracked open. He thinks of the show as vivisection, as a method of discovery, every ounce of female flesh – a book. And her hair falling down about her throat, her painted lips and eyes, the endless fabric of young skin, her limbs, fingers, hair, cunt – a library. He studies her. He tests her endurance during the first hour with metal, the next hour with wrap after wrap of rope, and for the third hour, rubber. He weighs her down, ties her body into knots, encases her, then relents. After he is finished with the first torments, he begins. She is determined to survive the removal of layers, the loss of skin, the dissection of her outer layers. This is how he searches for that which he can not help but desire. Her. The gentle slope of her shoulders when her arms are bound back. Her eyes moist, like she’s a lake, an ocean, spilling out, overflowing, influenced not by him, or any man on earth. She is under the influence of the moon. Her cunt goes wet with wanting, the expectation of ropes. Her breasts are wrapped, those insatiable nippled fruits, prepped for their ordeal. They grow livid as the seconds pass, as the pressure grows, as the weight of her body hangs, and her purpled breasts are wrung dry. He is machination, hooks and pulleys, chain and rope. He is scalpels and tongs. He is forceps groping, grasping folds of flesh, mounded flesh – Her. He sucks her fluids, her scent of sex and want. He drinks her. His fingers dive inside of her, manipulate breasts. He splits her in two from her waist to her chin and begins a rapid excoriation of muscle and bone. He seals her in wax, preserving her labia and clitoris, that flower which he picks for his own pleasure. He lies her body, thrown open like a coat, upon a lotus floating dreamily above the devil’s fiery lake. Her. Skin. Lips. Breasts. Scented cunt. The minutes pass. Hours blossom and die. By the time that he is finished, smeared with her rapture, riveted, exhausted, he stands back. We can’t decide. Which one of the two of them has been most undone?
341 MB | 1920 x 1080 | mp4 | 00:24:45
RealTimeBondage – Cowgirl – Marathon 1 (04.20.23)
He thinks of the Insex set as an autopsy room, where bodies are laid out, sliced, and cracked open. He thinks of the show as vivisection, as a method of discovery, every ounce of female flesh – a book. And her hair falling down about her throat, her painted lips and eyes, the endless fabric of young skin, her limbs, fingers, hair, cunt – a library. He studies her. He tests her endurance during the first hour with metal, the next hour with wrap after wrap of rope, and for the third hour, rubber. He weighs her down, ties her body into knots, encases her, then relents. After he is finished with the first torments, he begins. She is determined to survive the removal of layers, the loss of skin, the dissection of her outer layers. This is how he searches for that which he can not help but desire. Her. The gentle slope of her shoulders when her arms are bound back. Her eyes moist, like she’s a lake, an ocean, spilling out, overflowing, influenced not by him, or any man on earth. She is under the influence of the moon. Her cunt goes wet with wanting, the expectation of ropes. Her breasts are wrapped, those insatiable nippled fruits, prepped for their ordeal. They grow livid as the seconds pass, as the pressure grows, as the weight of her body hangs, and her purpled breasts are wrung dry. He is machination, hooks and pulleys, chain and rope. He is scalpels and tongs. He is forceps groping, grasping folds of flesh, mounded flesh – Her. He sucks her fluids, her scent of sex and want. He drinks her. His fingers dive inside of her, manipulate breasts. He splits her in two from her waist to her chin and begins a rapid excoriation of muscle and bone. He seals her in wax, preserving her labia and clitoris, that flower which he picks for his own pleasure. He lies her body, thrown open like a coat, upon a lotus floating dreamily above the devil’s fiery lake. Her. Skin. Lips. Breasts. Scented cunt. The minutes pass. Hours blossom and die. By the time that he is finished, smeared with her rapture, riveted, exhausted, he stands back. We can’t decide. Which one of the two of them has been most undone?
1.14 GB | 1920 x 1080 | mp4 | 01:19:07
HogTied – Keira Croft – Pain Slut Flexes Her Abilities In Strict Bondage: Keira Croft (08.28.23)
Keira Croft has been shooting BDSM for years, but it’s not often that she gets to show off her skills as a heavy pain slut. She begins standing and gagged, and The Pope enters with a crop and a desire to make her scream, quickly leaving his mark on her flesh. She is given a break from the pain, only to change the bondage into a brutal suspension. Now Keira is hanging from 3 points as he continues to inflict pain and then finger bag her pussy as he holds a vibe tightly against her clit. Next, Keira is made to endure a back-breaking predicament in a bondage position and teetering on one leg for balance. Her body is pulled in every possible direction, making the suffering almost unbearable from the brutality of the bondage. Clamps are added to her pussy and nipples to stretch even the most sensitive parts. She struggles to endure this position, and The Pope gives her a hand by making her cum uncontrollably. In the final scene, she is face down on a table with a wedge under her that pushes her ass up for optimal access. Her ass and thighs are brutalized with a cane and the crop that instantly marks her flesh. Once she has had enough, he fucks her pussy and vibes her more to ensure she has orgasmed as much as she possibly could.
3.85 GB | 1920 x 1080 | mp4 | 00:54:28
Manuela – standing orgasm frame
A very hard challenge for Manuela today. Our HuCILF secretary is back in the barn for a goat milker session, but this time she is standing up straight, shackled to a milking frame. A magic wand is positioned between her legs. Manuela knows she will have big trouble to remain standing, as she is very orgasmic and her legs will tremble and shake. Not just from the magic wand, but milking gets her horny too! Especially when the farmer touches, slaps, and squeezes her big mature udders. Will she make it through the session? Watch the video to find out!
978 MB | 1920 x 1080 | mp4 | 00:08:57
